Also got a good chunk of basic DW API stuff written over the weekend but bluh bluh testing, etc.
I have some thoughts:
1. Marine biology is low risk of misuse by supervillains? Come on! Sharks!
3. I wouldn't put linguistics that low for supervillain risk, assuming the validity of the strong Sapir-Whorf hypothesis. (Yes, everything I knew about Sapir-Whorf did come from that one Delany book.)
4. But then, he put palaeontology low as well, and. Well. Do that right/wrong enough and you get both microbiology (bubonic plague! anthrax!) AND ornithology (dinosaurs!)
5. HE LEFT OUT ECONOMICS. And poli-sci (between history and sociology?) but imo economics is WAY scarier from both a supervillain and accidental escape perspective.
6. Really, isn't any discipline high supervillain risk if the supervillain has the right mental attitude?
7. If prosthetics is high supervillain risk/low escape risk, and dentistry is low supervillain risk/low escape risk, are dentures high or low supervillain risk?
Beatrice, being pounced on, responded to this by playing soccer.
I don't remember the imagery from the dream -- something about coming home after a war, something about the I-character being a prince -- but it's not the imagery I care about. It's the emotion. I can't remember. It was partly like -- oh, I don't know, like a newly crowned (and mostly still school aged) King Peter coming howm to Narnia after his first battle as king; it had elements of Harry returning to Hogwaets after winning some external tournament for Gryffindor (why Gryff in particular and not Hogwarta as a whole I don't know, and the not that sticks out was people back at the castle waiting, like in a Greek myth, to see which color sails adorn the ship, so someone could run back with news of the winner, which makes no sense in a world with magic, but again the visuals don't matter.
And I can't quite remember the emotion.
I think -- in the way you can sometimes remember the shape of a word without remembering the word itself -- it had the shape of a sort of nostalgia, like coming back as an adult to places you frequented as a kid (and things are so much more small and ordinary when you see them with adult eyes). But also a bit of ... deliberate loss? Of having gone to do the thing knowing you'd be changed by it and knowing that you'd never get innocence back, watching kids be kids and being unable to join in because you know too much. And some element of disconnect, like you've been off fighting a battle in Faerie and return triumphant to find that a hundred years have passed overnight and they're really quite happy that you won but you don't know them because they're the great-grandchildren of your baby brother or whatever, and you can't get the missing years back.
Those are the pieces I can remember, but ... echoes, not the source. It's more than that and *I don't remember*. And the more I try, the less I grasp.
I wasn’t sure who he was at first, since I’m not interested in Game of Thrones. That is, I didn’t realize who he was until I checked IMDB and saw that he had played Roger Wyndam-Pryce in one episode (Lineage) of Angel. Now I remember him. Looking through the rest of his filmography, I have also seen him in Nightmare Classics: Carmilla (1989), Tales From The Crypt (1972), and two episodes of Faerie Tale Theatre. He was also Zeus in three episodes of Hercules: The Legendary Journeys.
I might need to track down his episode of Tales From The Darkside, wherein he plays "Vampire Count Jeffrey Draco."
( links and personal observations about sexual violence against women )
I absolutely believe everybody else's experiences, people I know and strangers writing brave, brave columns and blog posts. I am just a total outlier, and I really shouldn't be. So I'm signal boosting others' accounts, because I know that I needed to be made aware of the scale of the problem, and perhaps some other people reading this could also use the information.
I broke down and dug out the fine liners and that let me get some better detail for some of them. Day 9 was a study but I really liked how that one turned out, kinda learning about ink washes. Also added in a bit of color with highlighters, even though I'd intended to do all monochrome. I've been kinda trying to go back to a couple of the things I thumbnailed or sketched last week, but I haven't really been able to do it yet. Kind largely referenced work here, because I wanted to focus more on learning how to use the mediums and study lighting, though Day 8 was original. Went with a cartoony style because I thought it'd be easy to do; I was kind of unmotivated that day, so I just wanted to do something relatively fast but 'finished' and it worked out.
Allow me to take a moment off from talking about game consoles in human form, in order to talk about game consoles in game console form. Specifically, the Nintendo Switch, and how Sony basically handed the market to them.
By making the "Switch" functionality core to the console itself, Nintendo is neatly sidestepping all the incompatibility BS that Sony built in to their products. It's a fresh start, a requirement for all Switch games going forward, and it's one that I strongly approve of.
Now I just need to cross my fingers, and hope that either the Neptunia series winds up on the Switch like the Atelier series already has, or that Sony gets their act together. Portable game consoles have been my treasured companions and comfort objects ever since I was little, and while I like being able to stream my games on Twitch or a TV I don't like being disconnected from them when I can't get to one.
A couple of days ago, the farmer separated the cows and the calves, as they do. (Gotta wean the calves, sell them later, that sort of thing.) This particular farmer uses a fence-line weaning process, which is ... pretty much what it sounds like. The cows and calves are being kept apart by just a fence. Which means all those cows can still see and hear the calves.
Which means there has been CONSTANT MOOING for the past two days.
Now, it's less stressful for the calves to get weaned this way - they don't use up a lot of strength or lose excess weight by walking around looking for their dams. But the noise. The calling and calling. Allllll that mooing. Egads.
Follow the adventures of the ship Hallows, an Intergalactic Urban Search and Rescue/Emergency Services Team. A mage named Dani and their ghost husband Emmanuel co-captain the ship Hallows as they recruit their crew and have various adventures.